Partitions Numériques de Come, Christians, Join to Sing pour Orchestre de chambre

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Come, Christians, Join to Sing
Non classifié 60

Piano & claviers
Piano seul 34
Orgue 11
Accompagnement Piano 8
Piano Facile 8
Piano, Voix 5

Piano, Voix et Guitare 4
1 Piano, 4 mains 3
Piano Trio: piano, violon, violoncelle 1
Instruments en Do 1

+ 4 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 2
Guitare 1
2 Guitares (duo) 1

Voix
Chorale SATB 38
Chorale Unison 6
Chorale 3 parties 5
Chorale 3
Chorale 2 parties 2

Vents
2 Clarinettes (duo) 3
2 Saxophones (duo) 3
Flûte traversière 2
Quatuor de Saxophones: 4 saxophones 2
Flûte traversière et Piano 2

2 Flûtes traversières (duo) 2
Saxophone, Clarinette (duo) 2
Clarinette, Violon (duo) 2
Saxophone Alto et Piano 2
Saxophone Tenor et Piano 1
Quatuor de Flûtes : 4 flûtes 1
Clarinette et Piano 1
Hautbois, Flûte 1
Hautbois 1
Hautbois, Basson (duo) 1
Clarinette et Alto 1
Clarinette 1
Flûte, Hautbois, Clarinette, Basson 1
Saxophone (partie séparée) 1
Saxophone Alto 1
Quatuor de Clarinettes: 4 clarinettes 1
Flûte, Clarinette, Piano (trio) 1
Clarinette, Trompette (duo) 1
Flûte, Clarinette (duo) 1
Flûte, Violon 1
Flûte à bec Soprano 1
Hautbois (partie séparée) 1
Hautbois, Piano (duo) 1

+ 23 instrumentations

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Cuivres
Tuba 2
Trompette, Saxophone (duo) 2
Trompette 2
Trompette, Piano 2
Cor et Piano 1

Trompette (partie séparée) 1
Tuba et Piano 1
2 Euphoniums et 2 Tubas 1
Trombone (partie séparée) 1
Trombone et Piano 1
Quatuor de cuivres: 4 cors 1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 1

+ 7 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 7
Violon et Piano 3
Violon (partie séparée) 2
Alto seul 2
Violoncelle (partie séparée) 2

Harpe 2
Harpe, Voix 2
Violoncelle, Piano 1
Alto, Violoncelle (duo) 1
Violon 1
Alto, Piano 1
Violon, Alto (duo) 1
Violon, Violoncelle (duo) 1
Contre Basse 1
2 Violoncelles (duo) 1

+ 10 instrumentations

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Percussions & orchestre
Cloches 24
Orchestre 7
Ensemble de cuivres 3
Timbales 1
Orchestre d'harmonie 1

Orchestre de chambre 1

+ 1 instrumentations

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Come, Christians, Join to Sing

Orchestre de chambre

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When I Survey the Wondrous Cross - Orchestration

When I Survey the Wondrous Cross - Orchestration #Orchestre de chambre #INTERMÉDIAIRE #Isaac Watts / Lowell Mason #Robert Myers #When I Survey the Wondrous Cro #WheatMyer Music #SheetMusicPlus

Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...(+)

Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.

$60.00 ≈ 56.00€

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